Added Info ARTIST'S MAGAZINE Oct 1991 (v.8#10) pg. 10
Three ways to paint thin lines when working in oil.
ARTIST'S MAGAZINE Aug 1991 (v.8#8) pg. 6
Using an acrylic underpainting and a limited palette to simplify and speed up painting in oils.
ARTIST'S MAGAZINE Sep 1991 (v.8#9) pg. 52
Techniques for adding both the look and feel of texture to a painting.
ARTIST'S MAGAZINE Sep 1991 (v.8#9) pg. 64
Painting "over the edge" in oils to create accuracy, volume and a natural look.
ARTIST'S MAGAZINE Nov 1991 (v.8#11) pg. 63
Seven points for accurate oils. How to bring a painting closer to nature.
ARTIST'S MAGAZINE Feb 1992 (v.9#2) pg. 58
Give oil paintings an emotional edge. Building mood from a Mars violet base.
ARTIST'S MAGAZINE Mar 1992 (v.9#3) pg. 98
Advice on how to get a heavier, richer paint surface with stronger impasto in oil paintings.
ARTIST'S MAGAZINE Mar 1992 (v.9#3) pg. 106
How to remove bloom on a varnished oil painting.
ARTIST'S MAGAZINE Mar 1992 (v.9#3) pg. 107
The basics of oil painting. A guide to the tools and techniques needed to get started.
ARTIST'S MAGAZINE Apr 1992 (v.9#4) pg. 58
A guide to traveling with oils. A description of equipment, organization and methods for creating and protecting wet canvases while you travel.
ARTIST'S MAGAZINE May 1992 (v.9#5) pg. 52
Putting sparkle into oils. How to brush oils over a toned canvas to get the glowing look of light.
ARTIST'S MAGAZINE May 1992 (v.9#5) pg. 59
Build a rich oil surface. How to give an oil painting a new dimension by juxtaposing different surface qualities.
ARTIST'S MAGAZINE Jun 1992 (v.9#6) pg. 28
Constructive copying. How to decipher the work of the masters and improve your own painting by copying masterpieces.
ARTIST'S MAGAZINE Sep 1992 (v.9#9) pg. 56
Mixing colorful grays in oil. A guide to painting sparkle into the gray areas.
ARTIST'S MAGAZINE Nov 1992 (v.9#11) pg. 70
Advice on reworking varnished oil paintings.
ARTIST'S MAGAZINE Nov 1992 (v.9#11) pg. 86
How to rework too-hard edges in oil to soften them.
ARTIST'S MAGAZINE Dec 1992 (v.9#12) pg. 77
Keeping a painting fresh. How to make the accidents in oil painting work for you. Some exercises that help you practice being loose.
ARTIST'S MAGAZINE Jan 1993 (v.10#1) pg. 54
How to apply oil paint to achieve crisp edges.
ARTIST'S MAGAZINE Mar 1993 (v.10#3) pg. 22
Five steps to solid oils. The basics for paintings that capture the look and spirit of a subject.
ARTIST'S MAGAZINE Mar 1993 (v.10#3) pg. 66
Hatching vibrant oils. How to build brilliance into artwork with small lines of color.
ARTIST'S MAGAZINE May 1993 (v.10#5) pg. 56
Capturing the big look. How to put life into an oil painting by recreating the freshness of the sketch.
ARTIST'S MAGAZINE Aug 1993 (v.10#8) pg. 54
Advice on using grisaille (an achromatic underpainting technique) in oil painting.
ARTIST'S MAGAZINE Sep 1993 (v.10#9) pg. 82
Three ways to see and paint shapes and color in oil. Creating images by (1) "thinking" abstractly, (2) finding a catalyst, and (3) painting relationships instead of things.
ARTIST'S MAGAZINE Feb 1994 (v.11#2) pg. 47
How to paint in both oil and acrylic by manipulating layers of translucent color so the finished work has the aura of an old photograph.
ARTIST'S MAGAZINE Feb 1994 (v.11#2) pg. 53
A seven-step system for oil painting that involves the use of sweeping strokes with oversized brushes and templates to create accurate shapes.
ARTIST'S MAGAZINE Mar 1994 (v.11#3) pg. 80
How to produce paintings that "glow." Exercises in monoprint, watercolor and oils demonstrate how to "pull light" from a dark ground.
ARTIST'S MAGAZINE Mar 1994 (v.11#3) pg. 86
How to rework a small section of a finished oil or acrylic painting. Differences in working on a painting less than a year old and on one older than a year are explained.
ARTIST'S MAGAZINE Apr 1994 (v.11#4) pg. 30
The pros and cons of painting oils into wet varnish or of using a layer of retouching varnish to "wet" colors on a painting to ease color matching from session to session.
ARTIST'S MAGAZINE Apr 1994 (v.11#4) pg. 31
The techniques of "scumbling" and the Classic Multiple Layer Method are explained.
ARTIST'S MAGAZINE Jul 1994 (v.11#7) pg. 74
Advice on glazing with oils.
ARTIST'S MAGAZINE Sep 1994 (v.11#9) pg. 77
Some basics for getting a subject in an oil painting to look three-dimensional.
ARTIST'S MAGAZINE Nov 1994 (v.11#11) pg. 56
A review of the "layers" in an oil painting and what each one contributes to a work's permanence.
ARTIST'S MAGAZINE Jan 1995 (v.12#1) pg. 21
An eight-step oil painting process for observing and translating any subject in any painting style.
ARTIST'S MAGAZINE Mar 1995 (v.12#3) pg. 84
Tip shows how to make a drying rack for oil paintings from a cardboard box with slots cut in each end.
ARTIST'S MAGAZINE Apr 1995 (v.12#4) pg. 3A
How luster, luminosity and iridescence contribute to the mood and setting in an oil painting.
ARTIST'S MAGAZINE May 1995 (v.12#5) pg. 46
How to draw with oils as a way to generate spontaneity and creativity.
ARTIST'S MAGAZINE Jun 1995 (v.12#6) pg. 14
Advice on surface preparation to ensure permanence when painting with oils on metal.
ARTIST'S MAGAZINE Jan 1996 (v.13#1) pg. 40
Create highly realistic oil paintings with depth and luminosity by using a single, thin layer of transparent color and as little paint as possible.
ARTIST'S MAGAZINE Feb 1996 (v.13#2) pg. 58
Oil painting basics. Information on materials, composition and painting techniques for the beginner.
ARTIST'S MAGAZINE May 1996 (v.13#5) pg. 30
How to create a mood in oil paintings through the use of glazes.
ARTIST'S MAGAZINE Jul 1996 (v.13#7) pg. 48
Tips on reducing brush "drag" while underpainting in oils.
ARTIST'S MAGAZINE Jul 1996 (v.13#7) pg. 73
Suggestions for removing unwanted oil paint buildup.
ARTIST'S MAGAZINE Sep 1996 (v.13#9) pg. 40
Making pictures tell a story. How to create stronger narrative paintings by the choice of interior scenes.
ARTIST'S MAGAZINE Sep 1996 (v.13#9) pg. 59
Guidelines for avoiding cracking in oil paintings.
ARTIST'S MAGAZINE Oct 1996 (v.13#10) pg. 39
Putting your colors to work. Four keys for transforming color-mixing theory into practical reality when working in oils.
ARTIST'S MAGAZINE Oct 1996 (v.13#10) pg. 48
Lessons of the Impressionists. Advice on improving perceptions of color and how to apply oils using the "broken color" technique. A six-step guide to painting the Impressionist way is offered.
ARTIST'S MAGAZINE Nov 1996 (v.13#11) pg. 40
Added Info ARTIST'S MAGAZINE Feb 1997 (v.14#2) pg. 8
Forty minutes to better oils. How to use preliminary sketches in planning an oil painting.
ARTIST'S MAGAZINE Nov 1996 (v.13#11) pg. 74
Advice on applying a final coat (or sealer) over oil paintings.
ARTIST'S MAGAZINE Dec 1996 (v.13#12) pg. 28
Creating parallel strokes of oil paint that let undercolors show through. Advice on brushmanship, brush shapes and bristle types.
ARTIST'S MAGAZINE Jan 1997 (v.14#1) pg. 76
Color rub-in overpainting technique in oils explained.
ARTIST'S MAGAZINE Jan 1997 (v.14#1) pg. 78
Tips for perking up dense, colorless shadows in oil paintings.
ARTIST'S MAGAZINE Feb 1997 (v.14#2) pg. 28
Reworking dried oils. A description of problems that may be encountered.
ARTIST'S MAGAZINE Feb 1997 (v.14#2) pg. 72
A summary of the types and causes of deterioration in oil paintings and restoration techniques.
ARTIST'S MAGAZINE May 1997 (v.14#5) pg. 80
Advice against using paper for sgraffito painting technique.
ARTIST'S MAGAZINE Jul 1997 (v.14#7) pg. 69
Exploring the mastery of Edouard Manet's work which bridged the gap between classical painting traditions and Impressionism.
ARTIST'S MAGAZINE Oct 1997 (v.14#10) pg. 64
How to use the "gray mixing" process when working in oils.
ARTIST'S MAGAZINE Nov 1997 (v.14#11) pg. 84
Glaze your way to deep, rich color. How to apply layers of semi-transparent oil paint on top of a dry underpainting.
ARTIST'S MAGAZINE Apr 1998 (v.15#4) pg. 45
An explanation of a multiple-layering method to introduce full color over an oil grisaille (underpainting).
ARTIST'S MAGAZINE Apr 1998 (v.15#4) pg. 74
An explanation of "blanching" and "blooming" in an oil painting, why they occur and what can be done to remove them.
ARTIST'S MAGAZINE Apr 1998 (v.15#4) pg. 76
Clean color, clear light. How to use pure color in a oil painting to capture the movement of light over glass objects.
ARTIST'S MAGAZINE May 1998 (v.15#5) pg. 50
Organizing oils for the outdoors. A list of equipment and other helpful hints.
ARTIST'S MAGAZINE Jun 1998 (v.15#6) pg. 23
The simple truths about working in oil. An outline of the basic tools and techniques. Includes 20 tips for working safely with oils.
ARTIST'S MAGAZINE Jun 1998 (v.15#6) pg. 40
Capture the colors of white. Tips for creating realistic white objects with oils.
ARTIST'S MAGAZINE Aug 1998 (v.15#8) pg. 32
Getting the scoop on scumbling, a technique that can work in oil, watercolor or acrylic in which a semi-transparent layer of color is brushed over a darker layer of dry paint.
ARTIST'S MAGAZINE Aug 1998 (v.15#8) pg. 61
Experience impasto. Two approaches to this texture-producing technique in oil paintings.
ARTIST'S MAGAZINE Oct 1998 (v.15#10) pg. 29
Balancing art and accuracy. How to create accurate, but lively historical scenes in oil.
ARTIST'S MAGAZINE Dec 1998 (v.15#12) pg. 46
How to even out matte and glossy sections in an oil painting and adjust the overall gloss.
ARTIST'S MAGAZINE Feb 1999 (v.16#2) pg. 77
Advice on using mediums in oil painting for fat-over-lean painting.
ARTIST'S MAGAZINE Mar 1999 (v.16#3) pg. 40
Gearing up for the great outdoors. An introduction to the supplies needed to paint in oil or watercolor outdoors.
ARTIST'S MAGAZINE May 1999 (v.16#5) pg. 20
Restarting an oil painting after a year. How to prepare the surface so the new paint layer will bond properly.
ARTIST'S MAGAZINE Jun 1999 (v.16#6) pg. 38
The many moods of light. Techniques for defining major light and dark shapes and using color to define depth and form in an oil painting.
ARTIST'S MAGAZINE Jun 1999 (v.16#6) pg. 40
Tips on the "fat-over-lean" oil painting technique.
ARTIST'S MAGAZINE Aug 1999 (v.16#8) pg. 78
Painting the Bob Ross way. An introduction to the wet-on-wet technique for oils.
CRAFTS Mar 1994 (v.17#3) pg. 84
Mixed-media magic. How to combine acrylics with oils on the same surface to create exciting possibilities.
DECORATIVE ARTIST'S WORKBOOK Jul-Aug 1993 (v.20#4) pg. 18
Painting perfect lines. How to use a ruling pen to create lines with either oil or acrylic paints.
DECORATIVE ARTIST'S WORKBOOK Sep-Oct 1993 (v.20#5) pg. 14
Making the switch to oils. How to transfer acrylic painting skills to the oil palette.
DECORATIVE ARTIST'S WORKBOOK Mar-Apr 1996 (v.23#2) pg. 58
An oil painter's guide to preparing wooden surfaces for decorative painting. Covers sealing, sanding, staining, adding accents and spray finishes.
DECORATIVE ARTIST'S WORKBOOK Jan-Feb 1997 (v.24#1) pg. 67
Oil painting essentials. Five painting strategies for mastering the medium of oils.
DECORATIVE ARTIST'S WORKBOOK Jul-Aug 1997 (v.24#4) pg. 72
Tips on correcting common oil painting mistakes (using too much paint, going outside the lines and using the wrong color.)
DECORATIVE ARTIST'S WORKBOOK Jul-Aug 1998 (v.25#4) pg. 10
An explanation of how to dry brush using either acrylic or oil paints. Common problems and how to avoid them noted.
DECORATIVE ARTIST'S WORKBOOK Dec 1999 (v.26#6) pg. 24
Restoring oil paintings. The structure of an oil painting, how to line a canvas, stretching and cleaning, and applying a varnish coating.
HANDY ANDY Jan 1978 (v.2#4) pg. 51
Tip: Use petroleum jelly to keep screw caps from sticking to tubes of oil paints.
HOME MECHANIX #689 Sep 1985 (v.81) pg. 20
Tip: How to clean an old oil painting of grime, grease, and smoke by using half an onion.
OLD-HOUSE JOURNAL Mar 1984 (v.12#2) pg. 43
"Fishing Buddies" picture is painted in oils and features a boy and his dog fishing from a bridge into a canal. Intermediate painting level.
TOLE WORLD #103 Mar-Apr 1990 (v.14#2) pg. 44
Tip suggests how to depict stucco walls with cracks and bricks showing and with a rough texture.
TOLE WORLD #125 Nov-Dec 1993 (v.17#6) pg. 56
"English Cottage" oil painting. Includes instructions for decorating the mat with a tree and flowers in one corner.
TOLE WORLD #129 Jul-Aug 1994 (v.18#4) pg. 26
"Singing in the Rain" picture painted in oils features a duck spashing in a tub of water at the bottom of a downspout.
TOLE WORLD #129 Jul-Aug 1994 (v.18#4) pg. 50